Full Circle – Doug Binder

ARTSPACE, GALLERY ONE, | 20/01/2018 : 04/03/2018

By richardhatfield |

“Concentrating on the life model as I do now has meant coming full-circle from my early studies as a 16 year old student at Bradford College of Art in the late 1950’s. I left Bradford for London and the Royal College where abstraction became my primary interest for some considerable time.

My conversion back to life drawing coincided with a move back to my roots in the north, and the need to return to some basic fundamentals. Painting the figure brought back early memories of that first life room. I recalled the claustrophobic effects of the constant heat from the one-bar electric fires, the pungent aroma of oil and turpentine, and above all I recalled the silent dedication of the student engaged in an absorbing ritual.

In the fifties we were trained to paint, and the life room was the symbolic heart of our aspiration. It was clear that to become an artist would take a long time – and much of that time would be spent in painting ‘from the life’. Some 50 years later in my case, I find that this is still my priority. Each painting is a new proposition. The risk of failure is high, the problem of resolving such a subtle form is always the same challenge, yet different enough to seem uniquely fresh each time.

As Painter in Residence at Dean Clough in Halifax, I am fortunate in having a studio more or less attached to the galleries, where I work on around 20 paintings at any one time, depending on how well each is progressing.

At present the nude figure is all that interests me as a subject for painting. The nude in history is always fascinating. The mythical, psychological and sexual aspects are constantly present, but for me, it’s the universal yet ordinary experience that I’m interested in – the common-place.”

DOUG BINDER

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North Lincolnshire Print Open

Selected by Rob Moore and Melvyn Petterson, this biennial exhibition aims to show the best of our region’s printmakers.

By richardhatfield |

Tregear Pottery

Situated on the rugged south coast of the Isle of Wight, Tregear Pottery produces a beautiful range of handmade stoneware pottery. Each piece is made from fine white stoneware clay. The work is hand decorated in a variety of designs – all drawing their inspiration and influences from the exceptional beauty of the surrounding landscapes.

Trained in Kyoto, Japan, in porcelain throwing, Neil’s passion for pottery has seen his work travel across the globe. He continually pushes and challenges the work at Tregear Pottery, refining glazes, developing new designs and expanding the studio. Neil has been awarded with a number of grants, international show selections, and other accolades for the quality of his work. The work is sold in several galleries and shops on the Isle of Wight as well as many well-known outlets across the mainland and now at The Ropewalk. Come in to the Craft Gallery during the month of June and admire the coastal bliss that Neil Tregear’s pottery creates.

By devonb |

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Hazelwood’s piece in progress ‘La Boheme/I’ve Got Her Disease Inside My Head’ transposes pianola scores to playable music boxes working with the oppositional themes of the female bohemian and hysteric.

Pennington has constructed a series of new sculptural observations and print works through a combination of historical research and material experimentation with player piano rolls and remnants of piano mechanisms.

This exhibition showcases the initial findings of their separate but related research into, and interventions with, the structures of pianos and pianolas, and social situations surrounding their key periods of use.

If you are interested in following these processes of exploration as they continue to unfold, please visit www.facebook.com/Noted

By richardhatfield |

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Rachel has a Fine Art Degree and Level 2 and Level 3 Diplomas in Feltmaking. She is a member of the international Feltmakers Association and Design Nation. She is a supporter of the campaign for Wool and member of the Rare Breeds Survival Trust. Rachel works from a studio in Hickling a village situated between Nottingham and Melton Mowbray. Come in to the Craft Gallery during the month of May and admire the Scottish bliss Rachel Morley felt pieces create.

By devonb |

Box Gallery

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By devonb |

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Paul Collinson | Gary Saunt | Kat Saunt | Steve Upton

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By richardhatfield |