Mammal Hands, a trio of like-minded musicians who first met in 2012 while busking in Norwich, will be playing at Barton upon Humber’s Ropery Hall in the next couple of weeks.
The three – Nick Smart on piano, brother Jordon Smart on saxophone and Jesse Barrett on drums and percussion – have since then carved out a growing following both here and abroad with their hypnotic fusion of jazz, folk and electronica winning fans from Bonobo and Gilles Peterson to Jamie Cullum.
“Drawing on a rich well of influences from Sufi and shamanic African trance music, Irish and Eastern European folk music, to Steve Reich and Philip Glass and more contemporary electronica influences, their music is built around deceptively simple sounding ideas that are lent power through the use of repetition and rhythmic loops,” explained Liz Bennet of The Ropewalk.
“They have been compared to both Portico Quartet and GoGo Penguin (who appeared at Ropery Hall four years ago) for the way in which they navigate the choppy waters between contemporary dance music and jazz,” Liz continued.
“Pianist Nick brings to the group a knowledge of classical Jazz harmonies but also a deep interest in the minimalist composers who have influenced his compositional approach, striving to create hypnotic, rhythmic patterns that can provide a foundation for Jordan and Jesse to build on. It is this unique combination of influences and their unusual baseless line-up that makes Mammal Hands’ sound so distinctive.”
Drawing on influences from Steve Reich to Bonobo and Pharoah Sanders to Cinematic Orchestra, alongside elements of North Indian and African music, Mammal Hands produce their own beautiful, inimitable music – at times wistful and melancholic and others raucous and catchy. They evoke a range of moods, from delicate and subtle to explosive and frantic, blending thoughtful compositions with spontaneity and interplay.
Landmark live performances so far have included shows at King’s Place in London and the RNCM in Manchester, as well as a barn-storming debut at the Montreal Jazz Festival (where they debuted as part of the BBC Introducing showcase).
The group’s latest album, Shadow Work, is due for release on October 27.
“Shadow Work is their third album and the first they have self-produced. Recorded at 80 Hertz Studios, Gondwana Records home from home in Manchester, it is the result of 18 months of intensive touring and mammoth writing sessions,” Liz said.
Now described as one of the hottest acts of UK jazz, Mammal Hands will be appearing at Ropery Hall on Friday, October 20, starting at 8pm. Tickets to the gig cost £13 in advance or £15 on the door. Advance tickets can be bought online at www.roperyhall.co.uk, in person from The Ropewalk’s Craft Gallery or by calling 01652 660380.
Throughout the summer in the Box Gallery we are showcasing work from makers who are influenced by the sea.
Featuring in Coastal are ceramics by Tregear Pottery from the Isle of Wight, Rebecca Harvey from St Ives, Pru Green from Essex and Dianne Cross from Yorkshire. A new collection of work by Tony Bellars of King’s Lynn brings a bright splash of colour, looking at his fishing boats and gulls you can almost smell the salt air and hear the unmistakable cry of the gull.
This month in the Box Gallery we are celebrating everything nautical with a range of makers from around the UK. Their pieces aim to represent the fun of the ocean and the curious creatures that live within it.
We have a range of ceramics and prints to transport you back to the seaside or give you gift inspiration for that perfect someone who is never far from the beach. So why not come and visit the Craft Gallery today and start your holiday early with a piece from our exhibition, transforming your home into your very own seaside escape.
Here are just a few of the pieces we have on offer in the exhibition.
You are probably wondering why we have a boat within the Box Gallery exhibition!
Not only does it match this month’s nautical theme in the gallery it also promotes Barton’s Heritage Open Days and the free tours taking place from September 14 to September 22 in the neighbouring Barton Haven Shipyard.
Don’t forget to book your free ticket today along with many more events on offer at The Ropewalk.
Selected by Rob Moore and Melvyn Petterson, this biennial exhibition aims to show the best of our region’s printmakers.
Situated on the rugged south coast of the Isle of Wight, Tregear Pottery produces a beautiful range of handmade stoneware pottery. Each piece is made from fine white stoneware clay. The work is hand decorated in a variety of designs – all drawing their inspiration and influences from the exceptional beauty of the surrounding landscapes.
Trained in Kyoto, Japan, in porcelain throwing, Neil’s passion for pottery has seen his work travel across the globe. He continually pushes and challenges the work at Tregear Pottery, refining glazes, developing new designs and expanding the studio. Neil has been awarded with a number of grants, international show selections, and other accolades for the quality of his work. The work is sold in several galleries and shops on the Isle of Wight as well as many well-known outlets across the mainland and now at The Ropewalk. Come in to the Craft Gallery during the month of June and admire the coastal bliss that Neil Tregear’s pottery creates.
Noted brings together artists Lou Hazelwood and Sarah Pennington for the first time, as they negotiate similar interests in the mechanisation of music and roles of women.
Hazelwood’s piece in progress ‘La Boheme/I’ve Got Her Disease Inside My Head’ transposes pianola scores to playable music boxes working with the oppositional themes of the female bohemian and hysteric.
Pennington has constructed a series of new sculptural observations and print works through a combination of historical research and material experimentation with player piano rolls and remnants of piano mechanisms.
This exhibition showcases the initial findings of their separate but related research into, and interventions with, the structures of pianos and pianolas, and social situations surrounding their key periods of use.
If you are interested in following these processes of exploration as they continue to unfold, please visit www.facebook.com/Noted
Rachel Morley creates unique felt items by hand using the wet felt method. The natural colours and shapes of the Scottish coastal landscape have inspired the Pebble range or Doorstops, Cubby Bowls, Cubbyholes and Pebble Pods. Rachel experiments with wool fibres from British breeds of sheep to take advantage to their varying qualities. As a contrast, Rachel enjoys the challenges of felting with a broad colour palette to create the colourful range of bowls.
Rachel’s aim is to elevate felt craft to create innovate products for the interior, echoing organic forms of the coastal landscape. Her fine art background brings a very sculptural feel to her work which is tactile and evocative.
Rachel has a Fine Art Degree and Level 2 and Level 3 Diplomas in Feltmaking. She is a member of the international Feltmakers Association and Design Nation. She is a supporter of the campaign for Wool and member of the Rare Breeds Survival Trust. Rachel works from a studio in Hickling a village situated between Nottingham and Melton Mowbray. Come in to the Craft Gallery during the month of May and admire the Scottish bliss Rachel Morley felt pieces create.
