Selected by Rob Moore and Melvyn Petterson, this biennial exhibition aims to show the best of our region’s printmakers.
1980s street style at The Ropewalk in Barton upon Humber
The Ropewalk in Barton has one of its occasional design exhibitions this summer – Dynamic Monochrome Design – featuring the designs of Timney Fowler from a private collection. Every inch of the largest gallery, Artspace, features drama!
Timney Fowler is a postmodern fashion and interior design business which unusually included clothing, furnishing fabrics, ceramics and wallpapers in their portfolio. They even made clothes out of curtain fabric which sold to great acclaim as part of the 1980s street scene.
Based in London’s Portobello Road and later the Kings Road Timney Fowler placed themselves firmly at the centre of a vibrant London which was bursting forth with trends which would go on to have a global influence.
Will Farmer of Fieldings Auctioneers and BBC’s Antiques Roadshow helped with the design of the exhibition.
“This archive of bold designs and simple repeat patterns form the foundation stones to a body of work which included everything from interiors to fashion and instantly transports you back to those dynamic design days of the 1980s and 90s,” he said.
The exhibition has been curated by Sara Haddon, who now lives in South Ferriby, mainly from items in her own collection. Sara was sucked in by the sheer exuberance of Timney Fowler’s Kings Road shop in the 1990s and started to buy items to furnish her London flat.
“The timeless nature of Timney Fowler means their work looks as good in my home today as it did 25 years ago. I saw an exhibition at The Fashion and Textile Museum in 2010 which included Timney Fowler designs and I hoped one day to be able to bring something of the excitement of their displays to Barton Upon Humber. The Ropewalk have been amazingly accommodating as I’ve packed Artspace with a cacophony of more than 100 pieces from my collection,” she explained.
Richard Hatfield Exhibitions Officer at The Ropewalk has worked with Sara on the exhibition.
“We are delighted to be hosting a design led exhibition this summer as part of an occasional design series – it will come as quite a surprise to regular visitors to our Artspace Gallery. Earlier exhibitions have featured the work of Josef Albers and Eduardo Paolozzi,” he added.
The exhibition runs from July 30 to September 10 2017 in the Artspace. The Ropewalk is open Monday to Saturday from 10am to 5pm and from 10am to 4pm on Sunday and Bank Holidays. Admission is free
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Situated on the rugged south coast of the Isle of Wight, Tregear Pottery produces a beautiful range of handmade stoneware pottery. Each piece is made from fine white stoneware clay. The work is hand decorated in a variety of designs – all drawing their inspiration and influences from the exceptional beauty of the surrounding landscapes.
Trained in Kyoto, Japan, in porcelain throwing, Neil’s passion for pottery has seen his work travel across the globe. He continually pushes and challenges the work at Tregear Pottery, refining glazes, developing new designs and expanding the studio. Neil has been awarded with a number of grants, international show selections, and other accolades for the quality of his work. The work is sold in several galleries and shops on the Isle of Wight as well as many well-known outlets across the mainland and now at The Ropewalk. Come in to the Craft Gallery during the month of June and admire the coastal bliss that Neil Tregear’s pottery creates.
Noted brings together artists Lou Hazelwood and Sarah Pennington for the first time, as they negotiate similar interests in the mechanisation of music and roles of women.
Hazelwood’s piece in progress ‘La Boheme/I’ve Got Her Disease Inside My Head’ transposes pianola scores to playable music boxes working with the oppositional themes of the female bohemian and hysteric.
Pennington has constructed a series of new sculptural observations and print works through a combination of historical research and material experimentation with player piano rolls and remnants of piano mechanisms.
This exhibition showcases the initial findings of their separate but related research into, and interventions with, the structures of pianos and pianolas, and social situations surrounding their key periods of use.
If you are interested in following these processes of exploration as they continue to unfold, please visit www.facebook.com/Noted
Rachel Morley creates unique felt items by hand using the wet felt method. The natural colours and shapes of the Scottish coastal landscape have inspired the Pebble range or Doorstops, Cubby Bowls, Cubbyholes and Pebble Pods. Rachel experiments with wool fibres from British breeds of sheep to take advantage to their varying qualities. As a contrast, Rachel enjoys the challenges of felting with a broad colour palette to create the colourful range of bowls.
Rachel’s aim is to elevate felt craft to create innovate products for the interior, echoing organic forms of the coastal landscape. Her fine art background brings a very sculptural feel to her work which is tactile and evocative.
Rachel has a Fine Art Degree and Level 2 and Level 3 Diplomas in Feltmaking. She is a member of the international Feltmakers Association and Design Nation. She is a supporter of the campaign for Wool and member of the Rare Breeds Survival Trust. Rachel works from a studio in Hickling a village situated between Nottingham and Melton Mowbray. Come in to the Craft Gallery during the month of May and admire the Scottish bliss Rachel Morley felt pieces create.
In the Box Gallery this month we have been inspired by the weather, and have put together a display celebrating spring. The focus is on the rebirth of nature, selecting pieces which represent the bloom of new flowers and joyous animals. The range of work within the exhibition is from a variety of makers working in different crafts all embodying our theme of spring.
Here is just a selection of the pieces we have on display in the Box Gallery.
Paul Collinson | Gary Saunt | Kat Saunt | Steve Upton
This exhibition shows work by a group of East Yorkshire and Hull based painters whose practice involves, either incidentally or wholly, the used of photography or computer software.
This can be in the organisation of the idea, the capture and use images as subject matter, or in the very creation of the artwork itself.
What all the painters do have in common is that need, the “agitation”, to produce something that has a presence.