Findings

GALLERY ONE, | 22/07/2017 : 03/09/2017

By richardhatfield |

Findings

An exhibition by Alice Fox

Alice Fox presents a collection of Findings; objects that respond to places and landscapes where she has walked. The objects, both altered found items and constructed forms, incorporate hand stitch, weave, natural staining and gathered materials.

The title Findings refers to two different definitions: The action of finding someone or something; and information discovered as the result of an inquiry or investigation.

Alice’s practice brings together recording, collecting and interaction with the landscape. She is fascinated by the detail of organic things and her thoughtful work celebrates and carries an essence of what she experiences in the natural world. Her background in physical geography and nature conservation underpins her artistic practice.

Alice works with natural fibres and gathered materials, employing natural dye techniques, stitch and weave in different combinations to create surfaces and structures. Found items, their identity often a mystery because of the action of the elements, form the focus of Alice’s response to a landscape. By engaging closely with the materials that she finds, manipulating them and experimenting, following a line of enquiry, Alice learns about their properties, boundaries and possibilities. She uses found objects to make marks, allowing them to stain the fibres and stitches that she surrounds them with. This becomes a collaborative process between object and artist. Alice presents her Findings with reference to traditional ways of displaying natural history collections. A publication to accompany the exhibition was published in October 2016.

Alice is author of Natural processes in Textile Art (Batsford, 2015), which promotes a way of working creatively with what is close at hand and making creative responses that are in tune with natural processes. Alice lives and works in West Yorkshire. She lectures and teaches regularly and is a member of the Textile Study Group and the Society of Designer Craftsmen.

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Selected by Rob Moore and Melvyn Petterson, this biennial exhibition aims to show the best of our region’s printmakers.

By richardhatfield |

Tregear Pottery

Situated on the rugged south coast of the Isle of Wight, Tregear Pottery produces a beautiful range of handmade stoneware pottery. Each piece is made from fine white stoneware clay. The work is hand decorated in a variety of designs – all drawing their inspiration and influences from the exceptional beauty of the surrounding landscapes.

Trained in Kyoto, Japan, in porcelain throwing, Neil’s passion for pottery has seen his work travel across the globe. He continually pushes and challenges the work at Tregear Pottery, refining glazes, developing new designs and expanding the studio. Neil has been awarded with a number of grants, international show selections, and other accolades for the quality of his work. The work is sold in several galleries and shops on the Isle of Wight as well as many well-known outlets across the mainland and now at The Ropewalk. Come in to the Craft Gallery during the month of June and admire the coastal bliss that Neil Tregear’s pottery creates.

By devonb |

Noted: Lou Hazelwood & Sarah Pennington

Noted brings together artists Lou Hazelwood and Sarah Pennington for the first time, as they negotiate similar interests in the mechanisation of music and roles of women.

Hazelwood’s piece in progress ‘La Boheme/I’ve Got Her Disease Inside My Head’ transposes pianola scores to playable music boxes working with the oppositional themes of the female bohemian and hysteric.

Pennington has constructed a series of new sculptural observations and print works through a combination of historical research and material experimentation with player piano rolls and remnants of piano mechanisms.

This exhibition showcases the initial findings of their separate but related research into, and interventions with, the structures of pianos and pianolas, and social situations surrounding their key periods of use.

If you are interested in following these processes of exploration as they continue to unfold, please visit www.facebook.com/Noted

By richardhatfield |

Rachel Morley

Rachel Morley creates unique felt items by hand using the wet felt method. The natural colours and shapes of the Scottish coastal landscape have inspired the Pebble range or Doorstops, Cubby Bowls, Cubbyholes and Pebble Pods. Rachel experiments with wool fibres from British breeds of sheep to take advantage to their varying qualities. As a contrast, Rachel enjoys the challenges of felting with a broad colour palette to create the colourful range of bowls.

Rachel’s aim is to elevate felt craft to create innovate products for the interior, echoing organic forms of the coastal landscape. Her fine art background brings a very sculptural feel to her work which is tactile and evocative.

Rachel has a Fine Art Degree and Level 2 and Level 3 Diplomas in Feltmaking. She is a member of the international Feltmakers Association and Design Nation. She is a supporter of the campaign for Wool and member of the Rare Breeds Survival Trust. Rachel works from a studio in Hickling a village situated between Nottingham and Melton Mowbray. Come in to the Craft Gallery during the month of May and admire the Scottish bliss Rachel Morley felt pieces create.

By devonb |

Box Gallery

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Here is just a selection of the pieces we have on display in the Box Gallery.

 

By devonb |

Agitated Presence

Paul Collinson | Gary Saunt | Kat Saunt | Steve Upton

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This can be in the organisation of the idea, the capture and use images as subject matter, or in the very creation of the artwork itself.

What all the painters do have in common is that need, the “agitation”, to produce something that has a presence.

By richardhatfield |