Five stars for Ropery Coffee Shop as it launches its new food waste policy

By janetuplin |

The Ropery Coffee Shop, part of The Ropewalk arts centre in Barton upon Humber, has just learnt that it has once again received five stars in the national Food Hygiene Rating Scheme operated by North Lincolnshire Council

Following an early November inspection the Coffee Shop has been awarded a maximum of five stars for each of the three categories, food hygiene, structure and cleaning, and confidence in management.

The news comes hot on the heels of changes to its food waste policy.   The Ropewalk has just signed up to an innovative scheme recycling food waste and now recycles all its food waste through Doncaster based ReFood which sees regular collections of food waste being recycled into renewable energy and bio-fertiliser.

“At The Ropewalk we have always been conscious of wanting to reduce our waste and this seemed to be an ideal opportunity,” said The Ropewalk’s Business Manager, Lorraine Stanley.

“Now, instead of disposing of any waste food in the general bin we can put them straight into a recycling bin that is emptied regularly and swapped with an empty sanitised one,”  Lorraine continued.

ReFood works from two other locations apart from Doncaster, Widnes and Dagenham, and together generate enough renewable energy to power the equivalent of more than 50,000 homes every year.

The Ropewalk is joining organisations such as Doncaster Racecourse,  Rotherham Doncaster and South Humber NHS Foundation Trust, and the Yorkshire Wildlife Park in recycling waste such as kitchen,  food and drink waste, fruit and vegetables, and bread and bakery products.

“Turning to ReFood to dispose of our food waste means that we can now downsize our commercial waste collection which in turn means less waste being sent to land fill,” Lorraine continued.

 

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Mary Sleigh & Jan Miller

Echoes in the Water: Traces in the Land

New artwork by Mary Sleigh and Jan Miller resonates with the local area, the landscape, history, and industry. While exploring, they have come upon traces of past activity, uncovered the unknown and unexpected, gathered natural and man-made materials and responded to the elements at different times of the year.

Mary Sleigh’s connection to the land comes from her fascination in foraging, gathering, and sorting, often giving her starting points for new work. Finding connections with places and people as a theme, continues in her exploration of the area around Barton on Humber.

Mary’s new work for Echoes in the Water: Traces in the Land celebrates the lives of those who worked in Barton, often many generations of the same family, who had family ties with local industries. 

Jan Miller collected shards of tiles bricks, sticks and stones, wood slivers, which along with her notes, photographs form the basis of her work. The single most striking image of the Humber Estuary for Jan is the glorious chocolate-brown silky mud exposed by tidal ebb and flow. Mud, silt, puddle-water, clay, earth, rock pigments have since become her new favourite mark-makers.

By richardhatfield |

Verity Adriana – Lumen | Legacy

Verity Adriana, will showcase two bodies of her photographic work at The Ropewalk in September 2020. These photographic works are a fusion of ephemeral in-scene installation and photography that use light and optical devices to convey ideas of universal connections. Selections from Adriana’s work have previously been exhibited with British Journal of Photography in Arles, France, Life Framer in Rome, Italy and the Center For Fine Art Photography in Denver, Colorado.

Adriana grew up in Hull and regularly visited her father in Barton who would narrate the history of the (then) disused rope and tile factory buildings during walks up to the river, sparking a fascination with the area.  This exhibition is the first time Lumen will be shown as a full body of work, and the artist chose The Ropewalk for this because of her connections to the place as well as it being the location of where much of these works were made.

Lumen, (2015 ongoing), made along the river Humber, investigates how light and photography have the power to transform ordinary and familiar subject matter and materials into moments of sublime experience by challenging our perceptions.  Light has the power to transform and transfix; photography is a medium that captures light; plastic is a material that holds light, and light itself is our connection to the beginnings of existence. This body of work reflects the existential human nature to look to the universal, a theme particularly relevant in the contemporary world.

Legacy, (2018), is a body of work created by Adriana in response to the legacy of the impact of the year of Hull City of Culture 2017 within the city’s spaces and places and is a synthesis of careful research done within the various communities and organisations involved and affected. The images show Adriana’s characteristic use of light, along with symbolic devices such as smoke and reflective surfaces, that challenge the viewer to consider the implications for the city and to reflect on their own experiences.

Adriana currently lives in Leeds, Yorkshire where she is Course Director of the BA Photography program at Leeds Trinity University. See www.verityadriana.com for more information.

By richardhatfield |

Lee Sass

Studio Artist, Lee Sass is our artist featured in the Box Gallery throughout September. Lee is a freelance artist, printmaker, creative director and social engagement artist. Her prints are inspired by her late husband, who worked alongside Lee in performances. These prints and textiles embody strong women and tough men, they are made from detailed card cut outs. These card cut outs are often transformed into screen prints and used on textiles. All of Lee’s work is connect by stories and linked to her past.

By devonb |

Claire Newman Williams

THERE WAS & THERE WAS NOT

Claire Newman-Williams is an British photographic artist who uses photography and collage to explore the world where imagination and reality collide.

Claire grew up in North Lincolnshire and after studying at Birmingham University she moved to the United States in 1988. She worked as a portrait photographer in Washington, DC and New York and her work appeared in numerous national and international publications including Time Magazine, The New York Times and The Advocate. Returning to the UK in 2005 she had become disenchanted by the hours she spent sitting in front of a computer tweaking digital files and making people look pretty. She wanted her work to reflect more of her life so she stopped looking for things to photograph that could be “fine art” images and started looking instead for emotions and memories, feelings and thoughts that she wanted to express.

By blending her unique photographs (often portraits that she creates with old cameras and alternative processes) with text, diagrams, and inscriptions that other generations have left behind, Claire builds visual stories of recalled experience and nostalgia. In her Story Boxes she creates collages layered and arranged in antique wooden boxes. These boxes are intended to be like inner landscapes, addressing the recurrent themes of the smothering of identity and our fear of being seen – truly seen – by those around us. The boxes themselves are sourced from auctions and house clearances and the contents of the box are the ephemera of everyday life, the junk that others throw away: old book covers, flakes of old textured paint, strips of leather, old nails, snippets of newspaper from years past.

By richardhatfield |

Inkers: Twists and Turns

Twists and Turns, a themed exhibition responding to the gallery, its history and environs.

Inkers is a group of fifteen independent artists who come together as printmakers to produce new and challenging work.

INKERS is a group of independent contemporary printmakers based in West Yorkshire, who have been working together since 2000. Members pursue successful independent practices as exhibiting artists, educators & writers, and come together to collaborate, exhibit and share practice.
During the past 20 years, the group has welcomed exciting contemporary printmakers from around Yorkshire working with a wide range of print techniques, including etching, drypoint, collagraph, screenprint, relief and photogravure. Several members have been recipients of awards and national/international project funding.

Featuring:

Neil Anderson, Cath Brooke, Shelley Burgoyne, Julia Clegg, Janine Denby, Ruth Fettis, Annie Fforde, Janine Denby, Tony Carlton, Lucy Hainsworth, Emily Harvey, Paul Hudson, June Russell, Ian Wrench & Susan Wright

By richardhatfield |

Hilary Coole

Hilary Coole is a contemporary ceramic artist producing vessels and functional ware using the process of hand built, slip decorated stoneware slabs. She studied for a degree at Carmarthen School of Art and was awarded a 1st and the accolade of student of the year in 2015. A lifelong career as a graphic designer, coupled with an interest in surface pattern design have influenced her current body of work.

The thematic focus of Hilary’s work is specifically inspired by her mother’s clothing that featured vibrant 1950s patterns which are captured in her work from both her memories of her mother and old family photographs.

Hilary’s starting point was investigating ideas about belonging, home and a sense of place. This reflective thinking flowed into investigating the form and pattern of her mother’s garments translated into clay. She uses slips, paper resist and sgraffito onto the clay then constructs vessels from these highly decorated slabs.

She works from her home studio in the heart of rural Carmarthenshire and exhibits her work in galleries throughout Wales and England, at Art Fairs and is involved in her local Open Studios event.

Hilary’s intention is to evoke the fun, emotion and utopian aims of the 1950s in contrast to post war austerity. The work she produces is a colourful, sculptural and contemporary interpretation of an influential era in her life.

 

 

By devonb |