Torrential rain fails to dampen Waterside Food Festival spirits

By janetuplin |

Torrential rain failed to deter visitors to the second Waterside Food Festival held along The Ropewalk Promenade in Barton upon Humber.

Despite the leaden skies more than 1,000 visitors were attracted to the event.

“Sadly it was a case of déjà vu  with the weather for the Food Festival,” said organiser Liz Bennet.  “Who would have thought that for the second year running the conditions could have been so terrible?”

“Our second Food Festival had less wind that last year but just as much rain. Dolce Brass were true professionals and despite many torrential downpours ….the band played on!” Liz continued.

“However I am sure that all those hardy visitors who did brave the weather enjoyed browsing the stalls selling locally made produce, including chocolate, cheese, bread, beer and preserves as well as the street entertainers and live music,” Liz continued.

A welcome haven awaited visitors to Ropery Hall with a pasta making demonstration from Nigel Brown of the Nigel Brown Cookery Academy based at The Ropewalk and jam making demonstrations by Jenny of Jenny’s Jams, in Lincoln, who has previously acted as a judge in national jam making competitions.

One of the highlights of the day was the drawing of the raffle which has as its first prize a 47 inch LED television kindly donated by Barton’s local Euronics store, Lindsey Relay, along with a blue-ray player.

“One of our patrons, Malcolm Taylor of Barrow, won the first prize with Michael Logan from the North Bank winning the second prize, a Kindle Fire,” Liz revealed.

Avril Robinson won the hamper and the two prizes of Golden Events Tickets and Golden Film Tickets went to Denise Popplewell and Gill Hunton respectively.

The raffle raised £1140 which brings the building fund’s current donation total to £5865.61.

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Rachel Morley

Rachel Morley creates unique felt items by hand using the wet felt method. The natural colours and shapes of the Scottish coastal landscape have inspired the Pebble range or Doorstops, Cubby Bowls, Cubbyholes and Pebble Pods. Rachel experiments with wool fibres from British breeds of sheep to take advantage to their varying qualities. As a contrast, Rachel enjoys the challenges of felting with a broad colour palette to create the colourful range of bowls.

Rachel’s aim is to elevate felt craft to create innovate products for the interior, echoing organic forms of the coastal landscape. Her fine art background brings a very sculptural feel to her work which is tactile and evocative.

Rachel has a Fine Art Degree and Level 2 and Level 3 Diplomas in Feltmaking. She is a member of the international Feltmakers Association and Design Nation. She is a supporter of the campaign for Wool and member of the Rare Breeds Survival Trust. Rachel works from a studio in Hickling a village situated between Nottingham and Melton Mowbray. Come in to the Craft Gallery during the month of May and admire the Scottish bliss Rachel Morley felt pieces create.

 

 

By devonb |

Box Gallery

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Here is just a selection of the pieces we have on display in the Box Gallery.

 

By devonb |

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Paul Collinson | Gary Saunt | Kat Saunt | Steve Upton

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This can be in the organisation of the idea, the capture and use images as subject matter, or in the very creation of the artwork itself.

What all the painters do have in common is that need, the “agitation”, to produce something that has a presence.

By richardhatfield |

Andrew Adair

Obviously my specialisation is in ceramics, but over the last 3-4 years I have diverged into 2D abstract and flitted back and forth between the two often combining techniques across both. A constant theme throughout has been the printed letter/text and the interplay between positive and negative space therein. The older letter bottles are relief printmaking in clay and from them blossomed the larger industrial 2D abstracts onto old metal shelves and disused wooden pallets. Another ever present has been my trusted blowtorch, which has enabled me to produce interesting surfaces and textures in the clay through forced drying and also letting me introduce dirt into the painted surface in the form of trapped carbon. It is important for me to be true to the material and allow it to be inherent in the final pieces.

Topics and style vary, from heavily textured, distorted pots, to letters bottles discussing elements of jazz, to political and social commentary and stuff about bikes? The large abstracts initially explored the rhythms between the letters but then began to migrate into the self-portrait in the form of big selfies and some of these themes then translated back into the pot form.

Throughout my career my work has cycled back to the same themes – surface and form – and these are essentially what this exhibition is about.

By richardhatfield |

MODJOOL

Customisable jewellery by Jackie Selcraig

Jackie Selcraig does not abide by the taught rules of creative design, for her it is very fluid and unstructured. Governed instead by play Jackie begins by siting down and experimenting with the composition of the bits and pieces she has collected over the years. Enjoying mixing colours, textures and materials, the aim is always to create something different, unique and unusual.

Modjool started with the Build Ring, since then, it has grown into a whole family of interactive jewellery, attracting fashion conscious customer eager to take advantage of the versatility of the range. Modjool is a system of statement jewellery, which features ranges which can be worn individually, mixed and matched or combined magnetically. The wearer can adapt the appearance by simply changing colour, shape, size, material or style all within the same jewellery collection.

Shape is bold, geometric, statement jewellery. The pendants can be magnetically attached to any of the colourful Click Range using a special bail.

Build is fun customisable jewellery. The silver ring and necklace base pieces can be transformed by adding a variety of colourful beads and stoppers. You can create a different look every day. Mix the colours up or choose a neutral palette for something more sophisticated.

 

 

 

 

 

 

 

 

By devonb |

Jill Stewart

Metal Clocks

There’s something about the contrast of textures of the different metals and etched parts that is so compelling. Metal is not always a hard shiny intractable thing – it can have a softer look, have variable colours created by the act of heating, can be a way of drawing in the air.

Jill Stewart was brought up in rural Northumberland, surrounded by nature and colour, always noticing the tiny details that surround us. After city adventures and unsuitable jobs, she started to make things, and developed unique ways of working in brass, copper, silver and titanium. The clocks developed after she was challenged to make larger items than jewellery, and to really develop a colour palette using the effects of heat on different metals. After cutting out the shapes, a large flame is used to solder parts of the design together, but also makes copper go beautiful unpredictable shades of dark red, and changes the look of other metals, especially the etched parts. The handmade look is important, that you can tell an actual person worked closely with their materials here, not absolutely sure how each process would turn out.

 

By devonb |