Selected by Rob Moore and Melvyn Petterson, this biennial exhibition aims to show the best of our region’s printmakers.
Thank you to all our friends and customers who attended the open meeting on the evening of Wednesday 27 March. Some interesting ideas were put forward although I think we will hold off on the Burlesque and Cocktails night for a while. Someone also suggested that we do a tattoo convention and Richard thinks we could combine it with a Sci-fi convention and call it Tattooine!
One thing that did come across strongly was a willingness to help and for that I am extremely grateful. So never let it be said that we let the grass grow under our feet – our first ever call for volunteers!
Could you deliver some of the Ropewalk Magazines when you are out and about? We would like to have a presence in every hairdressers, dentist, opticians, doctors, company staff room, gym, and public space in Lincolnshire, East Riding, Hull and beyond. If you can take magazines out for us please email Jodie@the-ropewalk.co.uk with details of where you can take them and we will compile a list of where they are going and email to you so you can see if we’ve missed any. We will then email our army of distribution volunteers when the magazines are printed every quarter.
Ideas we will be looking into over the next couple of months are
- Legacy giving for The Ropewalk on the website
- Programming film and theatre matinees in the next autumn programme
- Compilation of a mailing list of large companies to put Ropewalk Magazines in their staff rooms and details on their HR mailings
- More dancing gigs like Hot 8 to change the demographic of the audience
- Presence at local shows ie Lincolnshire, Winterton
- Establish a children’s trail/cultural passport
Ones that will take more discussion and consideration
- Week of films – International film festival
- Tattoo convention
- Literature festival
- Speed dating
- Film club
- Burlesque and cocktails night
- Community kiln and pottery room
- London Affordable Art Fair
- Transport to events for older patrons
- Research becoming an English Heritage “associated attraction”
- Customer survey/questionnaire for those who currently do not attend. Canvas more widely
- Leaflet drop
- Establish permanent outdoor eating area for Coffee Shop
- Events Board at Tesco
- Seek nominations for national/regional tourism competitions and similar
- Community art event
- Museum at night sleepovers
If anyone has any further comments please contact me.
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Situated on the rugged south coast of the Isle of Wight, Tregear Pottery produces a beautiful range of handmade stoneware pottery. Each piece is made from fine white stoneware clay. The work is hand decorated in a variety of designs – all drawing their inspiration and influences from the exceptional beauty of the surrounding landscapes.
Trained in Kyoto, Japan, in porcelain throwing, Neil’s passion for pottery has seen his work travel across the globe. He continually pushes and challenges the work at Tregear Pottery, refining glazes, developing new designs and expanding the studio. Neil has been awarded with a number of grants, international show selections, and other accolades for the quality of his work. The work is sold in several galleries and shops on the Isle of Wight as well as many well-known outlets across the mainland and now at The Ropewalk. Come in to the Craft Gallery during the month of June and admire the coastal bliss that Neil Tregear’s pottery creates.
Noted brings together artists Lou Hazelwood and Sarah Pennington for the first time, as they negotiate similar interests in the mechanisation of music and roles of women.
Hazelwood’s piece in progress ‘La Boheme/I’ve Got Her Disease Inside My Head’ transposes pianola scores to playable music boxes working with the oppositional themes of the female bohemian and hysteric.
Pennington has constructed a series of new sculptural observations and print works through a combination of historical research and material experimentation with player piano rolls and remnants of piano mechanisms.
This exhibition showcases the initial findings of their separate but related research into, and interventions with, the structures of pianos and pianolas, and social situations surrounding their key periods of use.
If you are interested in following these processes of exploration as they continue to unfold, please visit www.facebook.com/Noted
Rachel Morley creates unique felt items by hand using the wet felt method. The natural colours and shapes of the Scottish coastal landscape have inspired the Pebble range or Doorstops, Cubby Bowls, Cubbyholes and Pebble Pods. Rachel experiments with wool fibres from British breeds of sheep to take advantage to their varying qualities. As a contrast, Rachel enjoys the challenges of felting with a broad colour palette to create the colourful range of bowls.
Rachel’s aim is to elevate felt craft to create innovate products for the interior, echoing organic forms of the coastal landscape. Her fine art background brings a very sculptural feel to her work which is tactile and evocative.
Rachel has a Fine Art Degree and Level 2 and Level 3 Diplomas in Feltmaking. She is a member of the international Feltmakers Association and Design Nation. She is a supporter of the campaign for Wool and member of the Rare Breeds Survival Trust. Rachel works from a studio in Hickling a village situated between Nottingham and Melton Mowbray. Come in to the Craft Gallery during the month of May and admire the Scottish bliss Rachel Morley felt pieces create.
In the Box Gallery this month we have been inspired by the weather, and have put together a display celebrating spring. The focus is on the rebirth of nature, selecting pieces which represent the bloom of new flowers and joyous animals. The range of work within the exhibition is from a variety of makers working in different crafts all embodying our theme of spring.
Here is just a selection of the pieces we have on display in the Box Gallery.
Paul Collinson | Gary Saunt | Kat Saunt | Steve Upton
This exhibition shows work by a group of East Yorkshire and Hull based painters whose practice involves, either incidentally or wholly, the used of photography or computer software.
This can be in the organisation of the idea, the capture and use images as subject matter, or in the very creation of the artwork itself.
What all the painters do have in common is that need, the “agitation”, to produce something that has a presence.