Launch of 2012 Exhbition Programme at The Ropewalk

By janetuplin |

The 2012 programme of exhibitions at The Ropewalk in Barton upon Humber has opened with two diverse themes yet drawn together as they record a brief moment in time.
Beverley based artist Tony Snowden’s exhibition, New Paintings, in Gallery One are what he describes as “a sense of the suspended moment.” Each painting records a brief moment in time, a chance meeting or encounter.

In the Artspace is the photographic exhibition, A Sense of Time, which was selected by East Riding based photographer Chris Harland who admitted that he had a difficult but interesting time selecting the work for the new show.

“I was very impressed with the wide array of different interpretations of the ‘time’ theme,” he said.  “The measurement of time is, after all, a man-made construct but the majority of the images submitted and selected for the exhibition reflect the spiritual aspect of our awareness of time’s passing.”

The Ropewalk’s Exhibitions Officer, Richard Hatfield, added that the opening days of both exhibitions had been very popular.

“We have had a lot of visitors since the exhibitions opened,” he said.

“Tony’s exhibition is quite an insular subject but has captured the imagination of those looking at it while the photographic exhibition is a more accessible show,” he continued.  “Since it opened we have had many visitors who enjoy photography themselves saying they now wished they had entered some of their work.”

New Paintings continues until February 26 while A Sense of Time ends a week later on March 4.

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Open Exhibition – Humber To The Wash

Our Biennial Open Exhibition Humber To The Wash once more occupies both gallery spaces throughout the summer.

A record entry caused many problems for the selectors George Hainsworth and John Brown and due to the limitation of space many fine works were declined.

A new element for this year’s show is a Public Vote Prize which will be announced at the end of the exhibition.

By richardhatfield |

George Hainsworth

“These are works which in the main have made in the last three years when my wife and I relocated to East Yorkshire to live.

The themes of The Sea, Bridges and Ships have for a long time been subjects in my work, though they may well have been given point and inspiration from our new and more intimate acquaintance with this area. They have become iconic for me and often become symbolic of what I want to say about myself and events in the world.

The flower paintings and still life, I feel, are accessible in that they are for the main part optimistic and direct in execution. My influences have been many and varied – I strive to get the quality of shock at first seeing these objects (as one vaguely remembers as a child) i.e. “with new eyes” and I feel fortunate in having the opportunity to show work in such a pleasant exhibition space.”

George Hainsworth

By richardhatfield |

Surface – Pete Moss & Clive Redshaw

Pete Moss, a widely respected and collected artist, has developed a vocabulary of carefully constructed ceramic forms, whose surfaces become canvasses. These are worked with the application of rich glazes and marks that develop harmony and balance in the interaction of colour pattern and form. Surfaces bring new works that seek to extend that language. Clive Redshaw’s work is based in an intuitive response to the colour and texture of the natural world. The work in Surfaces is drawn from contrasting periods in his practice and includes both painting and tapestry. Their colour and flamboyance is very different from the considered elegance of the ceramic pieces but both share a search for a finish that resonates for the viewer.

By richardhatfield |

Maria Connolly

Glasgow born Maria graduated from Limerick School of Art and Design in 1987 and works with flat sheets of earthenware clay where she uses the clay as a building tool to explore form. The shapes that Maria builds act as a blank canvas to build texture and pattern. Her work has a utilitarian engagement with the suggestion of storytelling and a reference to childhood memories. Influenced by the natural environment that surrounds her home in the form of colour and tone Maria also takes inspiration from found objects, industrial artefacts and architecture as well as personal memory. She is interested in making objects that provide a canvas for her exploration of colour, pattern and texture.

Her work was included at the Hunt Museum exhibition celebrating forty years of ceramics in LSAD ‘Culture of Clay’ in 2014. She lives in rural Donegal where she has her studio alongside her home.

By richardhatfield |

Susan Evans

Sue Evans has been a regular exhibitor in the Craft Gallery since The Ropewalk opened in 2000 but this is her first solo exhibition here in the Box Gallery. Her Quirky pieces made from driftwood and other found objects are beautifully painted and often feature an element of movement using mechanisms such as cranks, cams and levers. Although essentially children’s toys, her work has a great appeal to adults too with its nostalgic charm referencing Folk Art, the natural world, the seaside and childhoods of yesteryear!

By richardhatfield |

Under East Wind

Harriet Tarlo and Judith Tucker | Linda Ingham and David Power

Under East Wind brings together visual art, poetry, film and music in this interdisciplinary exhibition which shows work by artists deeply engaged with the Lincolnshire landscape and how personal, industrial and recreational memories linger in place.

In Outfalls Harriet Tarlo and Judith Tucker present poems and drawings from their

collaboration on the Louth Navigation in North East Lincolnshire. Through juxtaposing open-form poems and monochrome drawings they explore the relationship between the River Ludd and the canal itself as its industrial past becomes absorbed into semi-wilderness, creating niches for local flora and fauna in its culverts, bridges and locks.

In Far & Near and Kinds of White, Linda Ingham and David Power bring their collaborative work mixing painting and print with installation and music, which explores the nature of the secular memorial and how we use recreational space, in particular the coastal paths of North East Lincolnshire.


 


Remember Me – David Power

Read LOUTH CANAL POEMS & PAST WINTERS SONNETS  by Harriet Tarlo


www.far&nearproject.com

www.projectoutfalls.com

By richardhatfield |