Insight Open Studios 2010

By admin |

The first weekend of Northern Lincolnshire Artists’ Insight Open Studios 2010 got off to a flying start with record numbers passing through studios throughout North and North East Lincolnshire.

Project manager Pete Mitchell of The Ropewalk in Barton upon Humber said that the opening weekend of the event, now in its 10th year, had proved to be very busy.

“Here at The Ropewalk I think we must have welcomed around 500 visitors over the first two days while at Grimsby both the two outlets in Freshney Place and the Abbey Walk Gallery were really busy too,” he continued.

One artist showing for the first time at The Ropewalk was printmaker Angela Lindsley who in previous years has exhibited as part of the gallery’s Printmakers Group.

“It was absolutely brilliant,” she said.  “I sold five pieces on the first day and an extra date has had to be added to the two already advertised workshops, “ Introduction to Collagraph Prints, I am running in the next couple of months are they are now nearly all booked up.”

“It was an absolutely fantastic weekend and I can’t believe the response and I am so happy I decided to take part as a stand-alone artist,” she continued.

Insight Open Studios continues for the second and final weekend on Saturday and Sunday (September 25 and 26) with studios and galleries from Cleethorpes and Grimsby in the east to Epworth and the surrounding area to the west open to the public.

As well as being able to watch artists at work there is also the opportunity to view, purchase or commission original pieces of art.

Latest News

VIEW ALL NEWS

Mammal Hands bring their unique sound to Ropery Hall

Mammal Hands, a trio of like-minded musicians who first met in 2012 while busking in Norwich, will be playing at Barton upon Humber’s Ropery Hall in the next couple of weeks.

The three – Nick Smart on piano, brother Jordon Smart on saxophone and Jesse Barrett on drums and percussion – have since then carved out a growing following both here and abroad with their hypnotic fusion of jazz, folk and electronica winning fans from Bonobo and Gilles Peterson to Jamie Cullum. (more…)

By janetuplin |

Alison Read

Alison initially studied Fine Art at Newcastle University specialising in Printmaking before gaining her M.A at Lincoln and has been a professional artist for over ten years.

She specialises in hand made original prints using a variety of methods including linocut, screen print, wood cut and etching.

Having been born into a farming family in rural Lincolnshire, surrounded by animals it was only natural that they became the subject of her artwork. Her prints are quirky, original and full of humour.

She is an industrious printmaker who is able to combine printmaking mediums freely. For her 2015 exhibition at The Ropewalk, Alison set herself the challenge of making 100 prints in 100 days which she amazingly achieved.

She is represented in galleries throughout the country and works from her home studio in Lincoln.

By richardhatfield |

Jon & Judy Homer

During September the Box Gallery will be filled with a collection of handmade leather bags, made by Jon and Judy Homer of Lincolnshire.  Jon, by trade is a saddle fitter and bridle maker.  His passion for making custom bags grew out of having remnants of leather left over in the workshop.

Over the last couple of years he has been lucky enough to expand this part of the business to enable Judy to work alongside him full time in this area offering demonstrations in traditional saddle stitching techniques and taking the work to specialist markets and events.

Jon and Judy hand cut, dye and finish natural hides, with  many designs hand sewn in saddle stitch or by using  their 1960’s Adler sewing machine.

Great pride and care is taken in selecting quality leathers and honing the designs to enhance and celebrate the wonderful and very workable qualities of beautiful leather.

The bags are created by using repurposed vintage printing plates to permanently emboss the designs into wet unfinished hides. After drying they are then hand painted using acrylic leather dyes before the hide is finished with several layers of their  own mixed tannery dye. They are then repainted to highlight areas and sealed with a generous coat of home made beeswax and caranauba wax. A final few hours for drying and then polishing leaves the leather ready to be cut to shape and stitched up, a process which can take up to three days.

By richardhatfield |

INPRINT 2017 Open Printmaking Exhibition

Inprint is an open entry by selection national printmaking biennale celebrating contemporary creative printmaking. This year the exhibition is shared across three galleries – The Ropewalk in Barton upon Humber, Eleven and KAG in Humber St. Hull.

The exhibition represents a diverse range of approaches and techniques from printmakers across the UK with work made via etching, solar plate processes, woodblock and lino-cut, collagraph and screenprint. The prints made include decorative, illustrative, observational, and fine art based content with subject matter from the mundane to the fanciful.

The exhibition includes an invited submission of twelve prints from the eminent Edinburgh Printmakers workshop including work by Alan Davie and John Bellany, and from the open entry several works by local printmakers. All the works are for sale.

Four prizes for excellence were awarded by the selectors including two Inprint awards, The Roland Box prize and the Hawthorne materials award. The selectors deliberated hard to separate these prints from the many beautiful works on show in the three galleries.

By richardhatfield |

Anthony Housman – Recent Paintings

Anthony Housman makes paintings that contain motifs and biomorphic shapes which take their cue from a diverse range of starting points, including recreational, re-enacted and domestic sources. His paintings are usually begun with what he calls an “activation of the canvas” – a flurry of diluted, painterly gestures, from which he looks to assimilate apparitions of space, by introducing increasingly systematized forms and solid swathes of colour. His approach to painting aims at developing a constant dialogue between the intentional and the incidental. Many of his paintings contain additional collage elements including canvas off-cuts and palette residue, added to further expose the materiality of the painting process.

By richardhatfield |

Deadline draws near for artists wanting to take part in Inprint Biennale

The deadline is drawing near for artists to submit work to be considered tor Inprint Biennale, being held on both sides of the river as part of Hull City of Culture celebrations.

Artists can submit a maximum of two prints or pieces for the exhibition which is being held at Barrton upon Humber’s The Ropewalk and Hull’s Studio Eleven and KAG Gallery from mid September to the end of October. (more…)

By janetuplin |