Insight Open Studios 2010

By admin |

The first weekend of Northern Lincolnshire Artists’ Insight Open Studios 2010 got off to a flying start with record numbers passing through studios throughout North and North East Lincolnshire.

Project manager Pete Mitchell of The Ropewalk in Barton upon Humber said that the opening weekend of the event, now in its 10th year, had proved to be very busy.

“Here at The Ropewalk I think we must have welcomed around 500 visitors over the first two days while at Grimsby both the two outlets in Freshney Place and the Abbey Walk Gallery were really busy too,” he continued.

One artist showing for the first time at The Ropewalk was printmaker Angela Lindsley who in previous years has exhibited as part of the gallery’s Printmakers Group.

“It was absolutely brilliant,” she said.  “I sold five pieces on the first day and an extra date has had to be added to the two already advertised workshops, “ Introduction to Collagraph Prints, I am running in the next couple of months are they are now nearly all booked up.”

“It was an absolutely fantastic weekend and I can’t believe the response and I am so happy I decided to take part as a stand-alone artist,” she continued.

Insight Open Studios continues for the second and final weekend on Saturday and Sunday (September 25 and 26) with studios and galleries from Cleethorpes and Grimsby in the east to Epworth and the surrounding area to the west open to the public.

As well as being able to watch artists at work there is also the opportunity to view, purchase or commission original pieces of art.

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Fly by Wire – Chris Moss

Chris Moss creates sculptures of beasts and birds in order to understand them better.  Time spent watching animals gives her an understanding of their framework and architecture as well as how they interact with each other.  Her curiosity is linked to their movement and how this can be recreated.  She finds that drawing focuses her observations allowing the natural extension into wire sculpture.

With the use of new and reclaimed materials, sourced from various suppliers of functional wire and metal products or fragments found on walks and forays Chris experiments with the balance between these materials, so that a work, as well as saying something about its subject, is still about the materials it’s made from and reveals aspects of the drawing and re-drawing process.

By richardhatfield |

Summer Exhibition 2016

A mixed exhibition of paintings and prints that runs throughout the summer featuring: Hilary Angle, Kate Boxer, Henritta Corbett, Nick Ellerby, Colin Gale, Jason Hicklin, John Martin, Ian Mitchell, Stef Mitchell, Melvyn Petterson, Clive Redshaw, Keith Roper, Letitia Thompson, Martin Waters & Malcolm Whittaker.

By richardhatfield |

Penny Withers

Penny Withers is a professional ceramist with a studio in Sheffield. She has spent a long time discovering and experimenting with throwing skills; composing on the wheel and constructing forms from thrown slabs.  She enjoys the velocity of throwing and the residual energy it produces in the finished piece. The springiness in a thrown slab makes it strong and able to hold a shape to convey dynamism.

Sculptural pieces are finished in monochrome satin glazes which reflect light, softly revealing form. Complementary layers of glazes are dipped, sprayed or poured over each other and fired in either oxidising or reduction kilns. By observing the way that glazes react with each other she suggests landscapes; mountains, lakes, clouds. The vessel forms allow for the inclusion of natural plants and flower arrangements. These add elements such as shoreline reeds or scrub weeds (for example) to the overall composition. Penny is constantly developing an expressive repertoire of minerals, oxides and firing techniques to create visual references to the natural world.

“I feel the connection that reaffirms my place as a being in a world of physical laws and raw materials as a compelling alchemy in the forming, glazing and firing of ceramics. The more I learn the more there is still to know.”

 

By richardhatfield |

Handmade

Craftsmanship, originality, and innovation underpin this exhibition.

Featuring work by the following artists; Stuart Akroyd, Cath Hill, Janie Knitted Textiles (Jane Withers and Michael Hamner) and Lyn Lovitt, this body of work celebrates authenticity, difference, and the makers’ desire to create work of enduring quality.

With eclectic experiences, diverse backgrounds, and a fascination with materials and process, these exciting, contemporary artists showcase excellence with artistry in handmade glass, jewellery, knitted textiles, and ceramics.

In our current culture of branding and cheap, mass-produced goods, this exhibition aims to show that the concept of Handmade is still very much valued.

By richardhatfield |

Lindy Norton – Inside Out

‘When first I walk into a darkened room, my eyes need to adjust; a short period of visual insecurity stimulates ideas; moments that much of my work relates to.’
Lindy Norton

Lindy Norton has always been able to use drawing as a means of generating atmosphere. Purposefully developed and well practiced observation skills enable her to subtly change the truth of light and darkness, to amplify uncertainties.

Norton’s drawings and dry point etchings have a physical urgency, the energies required to generate the compositions are retained, enlivening the work with an uneasy breath. Beasts from Africa may wander along the window sill, a sailor boy may sit in an armchair with teddy bears or an entrance hall may contain vague shapes that cannot be identified as friendly or hostile.

Her paintings in both water colour and oil paint are just as accomplished as her drawings and prints. Her use of light, subject matter and her selected range of colours amplify surreal associations.

Lindy Norton’s work welcomes us uneasily into a friendly twilight zone, allow yourself to consider her interiors and their occupants: your perceptions may shift, just slightly.

By richardhatfield |

20 20 Print Exchange

20:20 Print Exchange started in 2009 as a project between Hot Bed Press in Salford and Red Hot Press in Southampton and has grown in popularity ever since.  Over 50,000 prints have been created and exchanged in the past six years with The Ropewalk Printmakers taking part for the last three years.

Every artist produces an edition of 25 prints on paper 20cm x 20cm.  In return each artist receives a bespoke hand printed boxed set of 20 randomly selected prints, (including their own print and 19 others). Prints could be any print medium and numbered 1 to 25 of 25 prints.

Each workshop also receives one set of randomly selected prints and one ‘twinned’ set whereby workshops are randomly matched, each receiving a set of 10 of their own members’ prints and one set of their ‘twinning partner workshop’.

This year we were twinned with Seacourt, The Centre for Contemporary Printmaking, in Bangor, Northern Ireland.  The prints on display are a selection from our previous years of participation.

One print from every participant, including 10 Ropewalk Printmakers is kept by Hot Bed Press to exhibit/tour nationally. In 2015 the tour started at Hot Bed Press and went on to Neo: Gallery in Bolton, West Yorkshire Print Workshop, The Art House, Wakefield, and Belfast Print Workshop.  The final exhibition is at Liverpool John Moores University, opening at the end of March 2016.

By richardhatfield |