New Developments at The Ropewalk

By admin |

Printmakers at Barton upon Humber’s Contemporary Art & Craft will soon be using enhanced facilities at the Maltkiln Road venue thanks to a £15,000 Arts Council England grant.

Printmaking sessions at The Ropewalk have been suspended until mid-September to allow the work to take place.

Richard Hatfield of The Ropewalk explained that the current printmaking studio was part of the first phase in the restoration of the building which opened in 2000.

“Initially we obtained funding to restore the southern end of the Hall’s Barton Ropery ropewalk which had been derelict for 10 years,” he said.

“But as time has gone on, particularly since the rest of the building was opened in 2006, it has become apparent that the studio’s original location was not ideal.”

Now the Arts Council grant means that the studio will be located within the corridor housing the artists’ studios in the middle of the quarter-mile long building.

The relocation of the print studio will also have a knock-on effect for some other facilities in the building.

One of the few remaining picture framing facilities in the area will take over the space left by the print studio while in turn the Craft Gallery will expand into the area vacated by the picture framing unit.

Local craftsman Dave Ayres of Deepdale Studios will be further enhancing the entrances to the galleries by making and installing three new ash framed doors to match the external doors he made for The Ropewalk four years ago.

“Until now we have been able to increase the number of artists whose work we display and sell just because we didn’t have the space.  But the Arts Council grant means that we can soon rectify that,” said Richard.

And a spin-off of the relocation of the various facilities means that there is now the opportunity to enlarge the kitchen serving the coffee shop at the same time.

“We appreciate that our visitors may experience some disruption for a short space of time but we hope they bear with us as we try to make our facilities even more user-friendly,” added Richard.

The first opportunity members of the public will have to view the print studio and the other alterations will be during the Insight 2010 Open Studios weekends on September 18 and 19 and September 23 and 24.

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Simon studied at Wirral College of Art and Design and Braintree College, Essex. In the early 1980s he worked at several ceramics workshops around the UK before setting up his own studio in 1987.

He taught ceramics at St Helens College of Art and Design and Wirral Metropolitan College and also spent three years at Island Pottery in Bermuda. Returning to the UK in 1997, Simon re-established his workshop and has been a full time maker since, exhibiting in the UK, Greece, Norway and Bequia in the Caribbean.

The work for this show is mainly thrown and distorted: a balance between control and chance.Crank, stoneware and porcelain clays are used predominantly with blue/ green/ purple matt glazes fired to 1200 degrees celsius.

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“Just over a year ago since his last exhibition, A Sense of Time, at the Maltkin Road gallery Chris’s latest work encourages us to discover the ‘Life of Stuff’” said Exhibitions Officer Richard Hatfield. (more…)

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By janetuplin |

Chris Harland – The Life Of Stuff

We assemble things. We construct artifices to ‘civilise’ our lives and also we decorate our lives to make us comfortable in our environment. But as soon as we have finished this process a new life begins. Either through use, abandonment, decay or simple accident, new possibilities emerge. Some times this happens immediately or sometimes after the effects of time have left their impression. Nature will fight back and weave patterns where none were intended. Weather will sculpt new forms from precision materials. Sunlight will peel and fade one thing, illuminate another. Mundane objects catch the light and spring to life in another guise. New life is created among the everyday stuff of life.

“Everything in the world, whether it be a tree or a rock, a building or a chair, every object has a life of its own. It is a living thing”. Oliver Gagliani.

I am drawn to these phenomena. They almost make me laugh out loud sometimes. They make me alive. When I am photographing them I am transported, flying, seeing a harmony and rhythm, empowered by a kind of synaesthesia. These feelings continues during my processing and printing, inspiring enhancement or intensification of the original perception in an endeavour to express, through abstract images, the sheer joy of seeing.

“Our imagination is stretched to the utmost. Not as in fiction to imagine things that are not really there but just to comprehend the things that are there”. Richard Feynman

Chris Harland

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Norman Ackroyd, John Duffin, Paul Hawdon, Clare Halifax, Trevor Price and Hakan Ulusman

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