Nigel Tooby’s interest in Photography began in the 1970s inspired by music album cover art and in particular the work of Aubrey Powell and the late, great, Storm Thorgerson. Although the years that passed saw him absorbed into the world of business he still found time to record events around him in an uncompromising documentary style.
Tooby creates artwork using images as a medium, to encourage debate through purposefully choosing controversial and sometimes difficult/uncomfortable subject matters to share a message. He shuns the single visual for a network of linked pieces in which the connections between pictures – as well as what is left out – contain information which then springs from an apparent void to provide messages which transcend the ability of any single image to communicate. The use of found materials and installations, as in his recent acclaimed exhibition “Eye Spy”, (In aid of a Homeless Charity) adds a fourth dimension and enhances surface to further expand his visual vocabulary.
As a consequence, he produces work which is current, inspiring, original, and, photographically speaking, quite different to the norm. His work is direct, occasionally brutal, creative of opinion and sometimes shocking, but it leaves little doubt as to where his own opinions lie. Thought provoking; his work invites the viewer to accept, reject or else debate that opinion.
The Price of Money was originally conceived as an art book and because it is based, in part, on his own experience of business it inevitably contains veins of autobiography. His assertion that rampant greed sowed the seeds of the 2008 credit crunch is clear from the work, but the effects of the greed-associated business paradigm reaches far deeper levels, perverting politics as well as the lives, relationships and health of those involved to varying degrees. He implies that enterprise doesn’t have to be conducted that way – that commercial activities can be carried out ethically and can, as a result, provide a more stable and productive business.